Compser/ music / Vocals
- “Shiva”, the bilingual play which was awarded with the IFA Grant
- “Sreemant Yogi” a Bharatanatyam Theatrical Ballet for Sankhya Dance Company, produced by NARADA GANA SABHA, Chennai
- “Nibhanda” Abstract, Dance Theatrical Production for Sankhya Dance Company, produced by Krishna Gana Sabha Chennai
- “venu Gan” Solo Theatrical Production by Vaibhav Arekar
- “Voice of Tagore” by Sankhya Dance Company
- “When God is a Customer” Theatrical production by Padmini Ravi and Deepti Sudheendra
- “Shadripu” Solo Act Swarada Bhave
- Nadi and Kabir, Solo Act by Keerthana Ravi
- Dharma Sthambha, Kannada Play
- Gandhi play by Sanchaya Thater
- Tukrana Kanasu by Sunilkumar Singh
- Alegalalli Antaranga by Manasa
- Purandara Darshana Ft Dr Seetha Kote
- Tadatmyam ft Dr Seetha Kote, Mithun Shyam
- Sudarshana ft Mithun Shyam
- Navarasa KurukShetra ft Vaishnavin Natyashala
- Bhagirati Ft Kavya Kashninathan
- Apsara ft Kavya Kashinathan
Special Compositions
- Kali Lullaby ( retelling of Chimamanda Ngozi Adichie’s FEMINIST MANIFESTO)
- Shoorpanakha Navarasa Gadya (Performed Widely now, a retelling of Shurpanakha through the lens of race, cast and indigenous identities)
- Kaagam ( A composition in metaphors about erasure of Dalit and Bahujan hereditary arts )
- Rutu Ahalya (feminist retelling of Ahalya with principles of Gatastha Yoga
- Nayikas Re Imagined ( compositions on Contemporary women)
- Dwara (Composition on Domestic Abuse)
- Queer Jawalis ( a compilation of three Jawalis with a gender neutral and distinctive queer voice)
- Nagalinga Pushpa – an ode to a flower
- Aparajita – another composition based on the flower
- Sakhi – two jawalis from the Sakhi’s Voice
- Jhonpuri Thillana – dedicated to the first Jain Teerthankara
- Rama lullaby
- Margam ( Entire Margams in Kannada for Ananya Cultural Academy)
- Numerous other commissioned Bharatanatyam Based compositions